Black Apple by Joan Crate
Historical Fiction
Hardcover, 336 pages
Published March 1st 2016 by Simon & Schuster
The idea of
reviewing this book is giving me heebie-jeebies. It covers such a sensitive and
complex topic. I must start this by saying my review here is not to be seen as
any sort of commentary on this part of Canadian history. That is, other than
the fact that it was horrible. These
are my thoughts on this book.
I’m not
really sure what I expected this book to be, but it’s a thoughtful
bildungsroman set in Canada when residential schools were still functioning. It’s
the story of a young Blackfoot girl growing up, coming into her own, and
finding a place to belong. This story is about humanity and choices. It’s about
one girl’s journey to reclaim herself; her search for identity when her own was
stripped away from her.
The main
character in Black Apple is an indigenous
girl named Sinopaki. When she is torn from her family and sent to St. Mark’s
Residential School for Girls, her name is changed to Rose Marie. All indigenous
names were changed to Christian ones.
During
Sinopaki/Rose Marie’s childhood, the tone of the book reminded me of Jane Eyre and Jane’s time at Lowood
School for Girls. Here, Rose Marie, much like Jane, is functionally an orphan—though
not technically one. The girls are treated in much the same manner—they are abused
both physically and psychologically. They are not really treated as humans
because they are children. But in addition to this in Rose’s case, she is also
treated as less than because she is “Indian.”
In her
afterward, Joan Crate says: “I wanted to explore the psychology of those who
worked at the schools, often well-meaning individuals whose sense of religious,
cultural, and/or racial superiority allowed them to think of their service as a
personal sacrifice for the greater good, one for which they were neither
adequately compensated by the government nor admired by their charges, the
result sometimes being acts of cruelty and depravity of which their younger
selves would never have believed their older selves capable.” She does this
through Mother Grace, the headmistress of St. Mark’s.
This is not
a simple thing. You cannot just point the finger at nuns and be like, the nuns
were evil and did this horrible thing and it’s all their fault! This was a
system-wide failure. It was the government, it was society, and it was, yes,
the Catholic Church. There is, however, no one
party, no one individual to blame. We
all share this blame, and this
terrible legacy. And Crate explores this well.
At St. Mark’s,
there are many characters who have both good and bad qualities. Ingrained in
all those who work there is a superiority that they have been brought up in.
They truly think that this is the way to “civilize” the “Indians” and bring
them the saving grace of the Lord. They often seem to forget, however, to
actually show any grace to these
children. Some, of course, do—on occasion. They aren’t all bad. This can be seen in Sister Cilla and, at times, Mother
Grace. But they were still a part of a horrible thing and let their own hubris,
their own “vocation,” their own sense of worth, keep this travesty going. Many,
like Mother Grace, did not want this, their life’s work, to come to nothing. I
can feel for them in that. However, there are things that are more important
than our own sense of a job well done. Things like kindness and justice.
From my
point of view, I felt that Crate gave the issues faced in this book adequate
complexity. I liked the way she explored the system behind the schools when she
wrote from Mother Grace’s perspective. This is the life Mother Grace knew. This
is the job she was given. The nuns at St. Mark’s were cogs in the wheel of this
great inhumanity.
I thought
it was neat as well how Crate wove in details of Blackfoot beliefs throughout
the story. We see in Rose Marie their beliefs in spirits and their approach to
the afterlife. I liked the way that Crate brought this element in as something
that was actually happening. She did not tell
us about it but rather showed us in
the ghosts that Rose Marie would see.
There were
many things about this book that broke my heart, but one that stuck with me is
Rose Marie’s sense of not belonging anywhere. Many people her age go through a
similar feeling and seek to “find themselves,” but hers was so much deeper than
that. She had a place she belonged,
and then she was torn from it. She was given another place to belong, but when
she tried it outside the walls of St. Mark’s, she found again that she didn’t
fit there either. There was no place left for her. She straddled two cultures,
and didn’t seem to belong to either. At the school, they were taught that their
culture, their language, their way of life was something to be hated. But they
weren’t really given another option. They would be later tossed from the school
disillusioned, with no place they fit.
This is a
tough thing to talk about. I’m a white Canadian woman. I don’t know the deep
hurt that is still felt throughout the indigenous community. I don’t know how those
who experience that would feel about this book. I know only what I, and my
less-than-adequate knowledge of this time, feel. This novel, while interesting
and thought-provoking, is just that—a novel. I must remind myself that this is
a sensitive and very real topic with more layers than one novel can provide. It
has, however, opened my eyes further to this topic. It has made me want to
learn more about this time in Canada’s checkered past. We can’t just whisper
about it behind closed doors. That’s how history ends up repeating itself.
It’s
important that we don’t hold this book up as something more than it is. This is
not a history book toting facts. This is a fictitious tale. For those of us who
do not have immediate knowledge of the residential school system, we have to
make sure that we don’t count this as a history lesson. For that, it’s only an
introduction. This time period is a vessel through which the author explores
the human condition and Sinopaki’s search for identity.
As a white Canadian
woman without much knowledge of indigenous history or culture, I can’t speak to
this book’s accuracy or sensitivity. However, as a human, I found this book to
be a compelling coming-of-age story. It broke my heart. Many times.
If you like
character-driven bildungsromans in which the coming of age is steeped in
adversity and a strong need for identity, check this one out.
For more information on Residential Schools and conversation happening around them today, check out the TRC website.
Storyline B
Structure/Execution
B+
Characters
B+
Writing B+
Conclusion
B
Enjoyment
B+
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Labels: Bildungsroman, Can lit, Historical, Review